"Steve Franklin" <(E-Mail Removed)> writes:
> 1. The Nikon D2H is listed as a having 4.1 Million effective
> pixels. I know I am missing something here. Why the low pixel
> count? how do we draw comparisons between that and say the D70?
The D2h is made for photojournalists and 4 Mpx is plenty for
newprint. The low pixel count allowed Nikon to design a camera
with a higher frame rate. The D70, by comparison, is an all-round
camera made for the amateur market. Many amateurs seem to think that
megapixels is the only thing that matters in a digital camera, so
cameras made for that segment tend to emphasise megapixels.
> 2. Full frame v 1.5x - What is the technical restrictions that
> caused this to exist in the first place?
The silicon wafer technique used to make sensor have a success
rate (known in the industry as "yield") that sinks to very low
levels if the chip becomes large. This make large sensors
more expensive and more difficult to mass produce.
> Is it just to sell more lenses?
No, there are real technical and cost restrictions behind the
1.5x/1.6x crop.
> Why not go straight for a full frame?
Contax and Kodak did, and failed. Canon has a professional full frame
camera that is quite successful, but the latest model (EOS 1Ds Mk II)
will cost you $8000 for the body alone. At the end of this month
Canon will, if the rumour is true, announce the EOS 5D, a "prosumer"
full frame body with a price tag around $3500. If the specs and price
are true, this will be a breakthrough for full frame.
> Are they likely to increase the pixel count within the
> smaller sensor size or progress to the full frame?
Both.
With current wafer technology, it costs much less to increase pixel
count in a small sensor than to increase the sensor size, so we'll
continue to see increased pixel counts in cameras at the lower, and
mid-end of market - and even in some high end cameras made for certain
segments of the professional market, such as wildlife and sports.
(Many wildlife and sports photographers regard the "crop" as a free
teleconverter.)
But there is a demand for full frame. The EOS 5D (if you beleve it
is real - I do) indicates that progress is being made with yield and
prices are coming down as a result. Canon seems to be way ahead of
anyone else in this game at the moment. Kodak has the technology, but
they can not match Canon's high-ISO noise levels, and as a result,
there are no takers. Eventually, however, we will see full frame from
more manufacturers than Canon. The most likely candidate is of course
Nikon, but maybe also Pentax and Sony-Konica-Minolta will enter
the full frame arena when full frame sensor technology becomes more
widely avialable.
> 3. As things progress, do you think that it's likely that sensors
> could even increase in size beyond 35mm? E.g without film as a
> restriction, why not make the sensor in between 35mm and say 645?
These exists. They are just not on display at Walmart or Costco.
The Phase One P25 digital back for Hasselblad et al is one
example. With a sensors that measures 48.9 x 36.7 mm, it sports a
1.1x crop compared to 645. The price? Well, if you have to ask,
you can't afford one - but for you: Special price is $29999.95.
Body and lens not included.)
--
- gisle hannemyr [ gisle{at}hannemyr.no -
http://folk.uio.no/gisle/ ]
------------------------------------------------------------------------
Kodak DCS460, Canon Powershot G5, Olympus 2020Z
------------------------------------------------------------------------