Discussion in '35mm Cameras' started by Annika1980, Sep 16, 2008.

  1. Annika1980

    Annika1980 Guest

    Here's a full-sized crop of an image I took at the polo match with the


    This image was just as shot and had no post-processing applied to it
    other than cropping.
    Note that the highlights aren't blown and the shadows have little
    detail, but are not quite down to true black.

    I'd like to see the film that could give similar results.
    Annika1980, Sep 16, 2008
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  2. Annika1980

    Noons Guest

    Annika1980 wrote,on my timestamp of 16/09/2008 3:57 PM:
    Superia 400, to match the 400 iso you used, no crop:
    http://members.iinet.net.au/~nsouto/photos/latest/nice wheels.jpg
    http://members.iinet.net.au/~nsouto/photos/latest/upside down world.jpg
    http://members.iinet.net.au/~nsouto/photos/latest/urban gold.jpg
    Would you like to see Velvia 50 6X6?
    Noons, Sep 16, 2008
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  3. Annika1980

    Noons Guest

    +**** YOU wrote,on my timestamp of 16/09/2008 11:01 PM:
    It's not upside down, dipshit. But you're
    too stupid to realize that, aren't you?
    Go back to school, moron.
    Noons, Sep 16, 2008
  4. Annika1980

    Draco Guest

    Hey Noons, Nice work. I thought the "upside" was inverted until I
    looked a little closer. Nice illusion. Keep at it.

    Velvia 50 6x6? Now that would fill the screen alright.

    Draco, Sep 16, 2008
  5. Annika1980

    Annika1980 Guest

    Annika1980, Sep 16, 2008
  6. Annika1980

    Scott W Guest

    In the first one
    http://members.iinet.net.au/~nsouto/photos/latest/nice wheels.jpg
    You can see the film struggling, the sky is full of noise, even with
    the reduced size image.
    The shadows have gone to close to black and there is no detail in
    If you like the high contrast look that is fine, but it does not show
    much DR at all.
    The other two photos don't show any more DR.

    I am not saying the low DR makes them bad photos, just that they don't
    have much DR. A whole lot of good photos have been taken over the
    years with reversal film, and I have very small DR.

    Now before you get all mad, I have to say that Bret's photo also is
    not good at showing high DR, is has some whites in it but no good
    shadows that are in focus. Would the 40D have done better on your
    scene, hard to know.

    Scott W, Sep 16, 2008
  7. This post is off-topic for this newsgroup, rec.photo.equipment.35mm,
    which is concerned with film cameras that use 35mm film, not digital
    cameras that look like 35mm SLRs (DSLRs).

    Since this post concerns such cameras, the appropriate place for it is
    rec.photo.digital.slr. Please post there in the future.
    David Nebenzahl, Sep 16, 2008
  8. Annika1980

    Scott W Guest

    Seems to me this is a thread comparing digital to 35mm film, whereas
    any number of people may not be keen on the thread, it is on topic.

    Scott W, Sep 16, 2008
  9. Annika1980

    Pete D Guest

    Seems to me this is a thread comparing digital to 35mm film, whereas
    any number of people may not be keen on the thread, it is on topic.


    Hey Scott, I have finally killfiled that stupid guy, please don't respond to
    him, he will think someone cares.
    Pete D, Sep 16, 2008
  10. Annika1980

    Scott W Guest

    Roger Clark did a comparison some time ago

    Had he over exposed the film he might be gotten more shadow detail,
    but for a normal exposer
    film, at least Kodak Royal Gold 200, has very poor range in the

    Slide film is of course much worse yet.

    Scott W, Sep 16, 2008
  11. Annika1980

    Noons Guest

    Scott W wrote,on my timestamp of 17/09/2008 2:36 AM:
    Actually, it's called clouds. Not noise.
    And exactly which detail do you expect to see in clouds in
    the sky? But let's not allow reality to get in the way of
    a good anti-film rant, shall we?
    Actually, the shadows have no noise and are full of detail in the
    high rez version. But of course shadows are shadows: if you
    expect to see pores in the bricks then it might be a good idea
    to actually take a photo exposed to said bricks?
    Also: I'd love to see what a dslr would do to that corrugated
    iron roof. Most likely it'd be full of moiree...
    Doesn't it? Prove it: demonstrate to me where is it that
    you can see high DR? Of course, do not come back to me
    with an example where all tones are the same intensity:
    that is just the drap watercoloured digital mush that some
    folks call "high dr". And no: an image made out of multiple
    raw stitched together is NOT high DR: it is just another
    example of watercoloured drab, non-constrasty, non-saturated
    digital mush.
    Really? Why? Did you look at the shadows in the verandas?

    Like I said: demonstrate what you call high dr.
    Just claiming that everything in sight is not high dr because
    it is not digital is pretty poor form. And no: a drab old
    non-contrast dslr image with washed out highlights
    and shadows smeared out of existence by the anti-noise processing
    is NOT an example of high dr.

    Exactly. Problem is: I do have a D80 which has taken a photo
    in the same place, same lens, same exposure parameters.
    I won't post it because it might shock Rita...
    Noons, Sep 17, 2008
  12. Annika1980

    Noons Guest

    Scott W wrote,on my timestamp of 17/09/2008 8:04 AM:
    Funny how that site is "good" to demonstrate
    "bad film" but is "bad" to demonstrate digital
    weak points...
    That is indeed true. And also of most of the
    "comparisons" in most of the sites out there:
    made years ago, with bad scanning technique of bad
    film and badly exposed images. Not surprising that
    it looks so bad overall...
    Actually, it isn't.
    Noons, Sep 17, 2008
  13. Annika1980

    Noons Guest

    Draco wrote,on my timestamp of 17/09/2008 12:43 AM:

    Yeah, surprising what happens when one uses
    eyes as they are supposed to be used, instead
    of just accepting whatever is shown as reality...
    Thanks, I certainly shall!

    It does:
    Noons, Sep 17, 2008
  14. Annika1980

    Annika1980 Guest

    There are areas in all of your shots you posted that are 255,255,255.
    There are also areas that are 0,0,0.
    Good luck printing those.

    In your defense, the pics looked a lot better on my calibrated monitor
    at home than my crappy LCD monitor at work.
    Annika1980, Sep 17, 2008
  15. Annika1980

    Scott W Guest

    I am not sure what you are thinking here, slide film has maybe 5 stops
    of range, I don't know of any negative film that is that narrow. The
    output of some slide film is on the order of 10 stops, because it is
    so high in contrast, but the capture range is very small.

    Scott W, Sep 17, 2008
  16. Annika1980

    Scott W Guest

    This is the kind of scene that is good for a test, bright light on the
    highlight and very deep shadows.
    If you load that into photoshop and adjust so that you expand the
    bottom 20 levels to go from 0 to 255 you will see that there is a lot
    of detail in the shadow in those bottom 20 levels.

    With the detail there I can, if I wish, pull the detail out of the
    shadows with a bit of dodging.

    The only real way to compare film vs digital is to shoot the exact
    same scene, having someone skilled with digital shooting the digital
    shot and someone skilled with film doing the film shot.

    I think some negative films could do very well, if they were exposed a
    couple of stop passed where most people tend to expose there film.
    Slide film would not have a chance IMO.

    Over all I don't think DR is a large problem for either film or
    digital, but the film fans that keep using the high DR of film as a
    reason to shoot film often don't have a clue about what they are
    talking about.

    Scott W, Sep 17, 2008
  17. Annika1980

    Scott W Guest

    Down size that by a factor of 2 and you have one sharp image.

    At full resolution it is a bit soft.

    An easy test, down size to half and back up, not much difference at

    I will point out that the output of DSLRs is not perfectly sharp
    either, and will shrapen up with a bit of down sizing, but the limit
    for most DSLRs is down sizing by to about 70% or so.

    Put it all together and I figure you image would roughly match a DSLR
    that had about 25 MP, and a really good lens.

    This is still very impressive, just not 72MP impressive.

    Of course when comparing a 6x6 camera to a DSLR it all comes down to
    what aspect ratio you want, if you what 1:1 then the DSLR is going to
    have to crop out 33% of its pixels, if you want 2:3 then the 6x6
    camera is going to have to crop out 33% of its pixels.

    Scott W, Sep 17, 2008
  18. Annika1980

    Annika1980 Guest

    Dude, you're talking to Noons. Thinking doesn't enter into it.
    Annika1980, Sep 17, 2008
  19. Annika1980

    Noons Guest

    Scott W wrote,on my timestamp of 17/09/2008 4:56 PM:
    yeah, sure...
    ANY digitised image at full resolution
    is a "bit soft"! Any other pearls of
    idiocy you'd like to share?

    yeah sure: downsize and upsize a "lossless" file like jpg?
    Are you for real or you think everyone is an idiot?

    Sure. Try this:
    Shit: there goes the 5d2 rez, eh?

    Any other bullshit you'd like to propose?

    Nevertheless, it sucks that it is 72MP, doesn't it?
    And no amount of crappola from the likes of you
    is gonna change that.
    wouldn't that be why I provided a cropped image as well?
    Or did you miss that little detail in your haste?
    Noons, Sep 19, 2008
  20. Annika1980

    Noons Guest

    Annika1980 wrote,on my timestamp of 17/09/2008 1:35 PM:
    No problem whatsoever. It's called full dynamic range.
    Something you dslr users are not familiar with, with
    that washed out watercolour stuff you call "photos".

    Ever tried to get an image with ANYTHING outside
    200,200,200 and 100,100,100?

    You should really try it: it's called full dynamic range
    and is what reality uses. Your beloved Ansel Adams invented
    a thing to help get that called the zone system: it had
    quite a few more zones than just 4-6.
    That's why his stuff was so impressive. Try producing
    images that have more than 150 different steps in tonality,
    it's not really that hard and quite rewarding.
    I know. If I find a way of making pictures look good
    in ANY monitor including the crap people work with most
    of the time, I'll let you know!
    Try this for REAL detail:
    Noons, Sep 19, 2008
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